PRIVATE LIFE Review: A Masterful Work of Empathetic Exposure
Films of 2018, Catch of the Day, Films by WomenLara HillPrivate Life, Tamara Jenkins, Kathryn Hahn, Paul Giamatti, Molly Shannon, 2018, Best of 2018, Netflix, John Carroll Lynch, Catch of the Day, Films by Women, 52 Films by Women, Female Filmmakers, Kayli Carter
BAD TIMES AT THE EL ROYALE Review: No Destination Worth Visiting
Cinema Beat, Films of 2018Lara HillBad Times at the El Royale, Jeff Bridges, Drew Goddard, Jon Hamm, Dakota Johnson, Cynthia Erivo, Chris Hemsworth, 2018, Cinema Beat, Lewis Pullman, Cailee Spaeny
HALLOWEEN Review: Welcome Home, Michael
Cinema Beat, Films of 2018Lara HillHalloween, 2018, David Gordon Green, Jamie Lee Curtis, Judy Greer, NIck Castle, Andi Matichak, Danny McBride, John Carpenter, Cinema Beat
APOSTLE Review: Extremism of Multiple Kinds
A STAR IS BORN Review: A Stirring Duet Becomes a Limp Near-Solo
FIRST MAN Review: A Unique Man for a Dangerous Mission
VENOM Review: Call Poison Control
Films of 2018, Cinema BeatLara HillSony, 2018, Ruben Fleischer, Venom, Michelle Williams, Riz Ahmed, Jenny Slate, Comic Book, Cinema Beat, Tom Hardy, Marvel
MINDING THE GAP Review: Escape On a Plank
Films of 2018, Catch of the DayLara HillMinding the gap, 2018, Hulu, Review, Catch of the Day, Bing Liu, Documentary, Streaming, Best of 2018
MANDY Review: A Fable Written in Blood-Splatter and Acid
Cinema Beat, Films of 2018Lara Hill2018, Nicolas Cage, Mandy, Panos Cosmatos, Cinema Beat, Review, Andrea Riseborough, Best of 2018, Linus Roache, Nic Cage
ASSASSINATION NATION Review: Stand By for Your State of the F***in' Union
Cinema Beat, Films of 2018Lara Hill2018, Cinema Beat, Assassination Nation, Sam Levinson, Review, Odessa Young, Suki Waterhouse, Hari Nef, Abra, Joel McHale, Bella Thorne
WHITE BOY RICK Review: A Life and Film Left Adrift
A SIMPLE FAVOR Review: Perfect Mommy Syndrome
